|
Education
|
5/2004
|
Ed.D. in Art and Art Education, Teachers
College, Columbia University, Dissertation title:
“Unsaying Life Stories: A Comparative Analysis of
the Autobiographical Art of Four Iranians.”
Doctoral Sponsor, Dr. Graeme Sullivan.
|
|
10/2000
|
Ed.M. in Art and Art Education, Teachers
College, Columbia University.
|
|
5/2000
|
M.A. in Art and Art Education, Teachers
College, Columbia University.
• New York State Teacher Certification.
|
|
6/1993
|
A. B. Magna cum Laude in Visual and
Environmental Studies, Harvard University.
• Studied with photographers Chris Killip, David
Goldblatt, Rosamond Wolff Purcell, Bill Burke, Barbara
Norfleet.
|
Employment
|
2008-2009
|
Faculty, School of Visual Arts. NY, NY.
|
|
2004-2006
|
Assistant Professor, College of Fine Arts,
University of Florida.
• Photography
• Area Coordinator of Photography.
• Advisor and critic in MFA Graduate Photographic
and Electronic Intermedia Seminar.
• Graduate Faculty Supervisor of Graduate Students
in their teaching.
• Chair of 2 MFA thesis committees
• Member of 3 MFA thesis committees
• Advisor to 10 MFA Independent Studies
• Advisor to 7 BFA High/Highest Honors Senior Thesis
Projects
|
|
2002-2004
|
2002.2004 Visiting Assistant Professor,
College of Fine Arts, University of Florida.
|
|
2000-2002
|
Adjunct Assistant Professor, College of
Fine Arts, University of Florida.
|
|
1999-2000
|
Artist-in-Residence, The Crossroads School, Public Middle
School, NYC.
|
|
1997-1998
|
1997.1998 Adjunct Instructor of Photography, Dept. of
Visual Arts, Gettysburg College, PA.
|
Courses Taught
|
Beginning through Advanced Photography:
still black and white, color, small through large format,
Visual Literacy, Interdisciplinary Studio: Art and World
Feminisms, Art Education for Elementary School Teachers,
Fundamentals of Art, Graduate Seminar: Photography and
Electronic Intermedia. Graduate course for methods and
materials in elementary art education.
|
Refereed Publications
|
• “Re-picturing Photography: A
Language in the Making,” in Photographic Theory:
An Historical Anthology (2014), edited by Andrew Hershberger,
UK: Wiley Blackwell.
http://www.wiley.com/WileyCDA/WileyTitle/productCd-140519846X.html
|
|
• “Stones in a New Garden,”
in Love and Pomegranate: Artists and Wayfarers on Iran, edited
by Meghan Sayres, Nortia Press (2013).
http://loveandpomegranates.meghansayres.com/
http://www.nortiapress.com/portfolio-item/love-pomegranates-edited-meghan-nuttall-sayres/
|
|
• De-Orientalizing Iran: The Art
of Sevruguin, Neshat, Navab, and Ghazel. Lampert Academic
Publishing (2011). http://www.amazon.com/De-Orientalizing-Iran
|
|
• “Kashk-e-Bademjan,” in
Primal Picnics: Writers Invent Creation Myths for their
Favorite Foods, edited Jennifer Heath, WholeWorld
Press (2010).
|
|
• “Photographic Truth,” in Sage Encyclopedia
of Identity, CA: Sage Publications (2010).
|
|
• “Tales Left Untold,” in
POWWOW: Charting the Fault Lines in the American Experience,
Short Fiction from Then to Now, edited by Ishmael
Reed & Carla Blank. Da Capo Press, Perseus Books.
(Jan. 2009).
|
|
• “Tenuous Transport,” in
Luis Camnitzer’s collaboration, Last Book
(2007-ongoing).
|
|
• “What is Home After Exile? An
Iranian Greek American Homecoming,” in Homelands;
Women’s Journeys Across Race, Place and Time.
(Jan. 2007), edited by Jenesha de Rivera, Patricia Justine
Tumang, Seal Press. http://www.homelandsanthology.com
|
|
• “Unsaying Life Stories: The
Autobiographical Art of Shirin Neshat and Ghazel,”
The Journal of Aesthetic Education, Volume 41/2 (2007).
|
|
• “Tales Left Untold” (original
poetry), in Let Me Tell You Where I've Been: New Writing
by Women of the Iranian Diaspora (2006), edited by
Persis Karim, Parisa Milani, Arkansas: University of Arkansas
Press.
|
|
• “Antoin Sevruguin,” in
Ehsan Yarshater, Ed., Encyclopedia Iranica. (New
York: Bibliotheca Persica, 1982- ).
|
|
• “Transforming Images: How Photography
Complicates the Picture (review essay)," The Journal
of Aesthetic Education, Volume 37/2 (2003): 114-121.
|
|
• “Photography and Collecting:
From Private to Public,” Exposure: The Journal
of the Society for Photographic Education 35/1 (2003):
61-70.
|
|
• “To Be or not To Be an Orientalist?:
The Ambivalent Art of Antoin Sevruguin,” Iranian
Studies 35/1-2 (2002): 113-144.
|
|
• “To Tell a Tale,” a review
of Ahmad K. Jabbari, ed., Amoo Norooz and Other Persian
Stories, in Iranian Studies 35/1-2 (2002).
|
|
• Re-picturing Photography: A Language
in the Making,” Journal of Aesthetic Education
35/1 (2001): 69-84.
|
Solo Exhibitions/Performances
|
2013
|
“I Am Not a Miniature.” SOHO20 Chelsea, NY,
NY.
|
|
2013
|
“Friend/Doost/Philos.” Performance art sponsored
by The Feminist Art Project in conjunction with
SOHO20 Chelsea. SOHO20 Chelsea, NY, NY.
|
|
2012
|
“The Homeling.” Performance art
and photography exhibition commissioned by Shahrzad gallery.
Shahrzad Gallery, NY, NY
|
|
2012
|
“The Metamorph.” Performance art
commissioned by Persian Arts Festival, Citilore, Bowery
Arts &
Science. VII Photo Agency, NY, NY.
|
|
2011
|
“Super East-West Woman: Forty Pillars,”
Soho20 Chelsea, NY, NY.
|
|
2011
|
“The Undoing” Solo performance-based
art act in the performance series curated by Anne Apparu:
The Hostess Never Lies, Vogt gallery, New York, NY.
|
|
2011
|
“Super East-West Woman’s Sufi
Dance: Egypt,” Skylight gallery, NY, NY
|
|
2010
|
“Super East-West Woman’s Sufi
Dance,” performance-based art act, Zora Space, NY.
NY.
|
|
2010
|
“She Speaks Greek Farsi,” Soho20
Chelsea, NY, NY.
|
|
2010
|
“HermAphrodite” Solo performance-based
art act, Zora Space, NY. NY.
|
|
2009
|
“Call Me Anar” Solo performance-based
art act, Soho20 Chelsea, NY, NY.
|
|
2009
|
“She Speaks Greek Farsi,” ICC
Athens, Greece.
|
|
2008
|
Washington Square Review. New York University.
NY, NY.
|
|
2007
|
“Super East-West Woman: Living on the
Axis, Fighting Evil Everywhere,” Rhonda Schaller
Studio, NY, NY.
|
|
2005
|
“Tales Worth Retelling,”Charles
Culpeper Photography Gallery, New York, NY.
|
|
2005
|
“Re-Collecting Iran,” Brown gallery,
Duke University, Durham, NC.
|
|
2004
|
“Super East-West Woman,” Laval
University, Quebec, Canada.
|
|
2004-2005
|
“Re-Collecting Iran,” Grinter
Gallery of International Art, Gainesville, FL, Amy Vigilante
curator.
|
|
2004
|
“I Am Not A Persian Carpet.” Gallery
1401, University of the Arts, Philadelphia, PA, Harris
Fogel curator.
|
|
2003
|
“Navab: Selected Works.” Bernice
Steinbaum Gallery, Miami, FL. Bernice Steinbaum, curator.
|
|
2002
|
“Tales Worth Retelling.” Macy
Gallery, New York, NY. Kendal Kennedy, curator.
|
|
2002
|
2002 “What Is Home After Exile? An
Iranian-American Homecoming. Exhibition in conjunction
with the 17th Annual International History and Theory
Conference, University of Chicago, Chicago, IL.
|
|
2000
|
“Tales Left Untold.” Macy Gallery,
New York, NY.
|
|
2000
|
“In Chase of Shadows.” Janati
Gallery, Greenwich, CT.
|
|
1998
|
“Portraits of Uzbekistan.” The
Harriman Institute, Columbia University, New York, NY.
|
|
1997
|
“Village Women of Pakistan.” Gettysburg
College, Gettysburg, PA.
|
International Invitational Exhibitions/Performances
|
2014
|
“The Blind Owl Meets the Hunger Artist” in
the invitational group exhibition Are We Already Gone?
curated by Negin Sharifzadeh, Flicker Lab, Soho, NY.
|
|
2011
|
“The Undoing” in the performance
series curated by Anne Apparu: The Hostess Never Lies,
Vogt gallery New York, NY.
|
|
2011
|
Acted in Aaron Schimberg’s film: “Go
Down Death”.
|
|
2011
|
“Sabzi and Me,” Zora Space, NY,
NY.
|
|
2010
|
HermAphrodite (2010), DCTV Firehouse, Soho,
NY.
|
|
2009
|
Through the Lens: Photography from the Permanent
Collection, Lowe Art Museum, University of
Miami. Denise M. Gerson, curator.
|
|
2008
|
Highlights from the Photography Collection:
University of Florida’s Photographic Legacy. Harn
Museum of Art, University of Florida.
|
|
2008-2013
|
The Veil: Visible and Invisible Spaces,
Jennifer Heath curator, editor, The Veil: Women Writers
on Its History, Lore, and Politics (University of California
Press, 2008).
Traveling Multimedia Exhibition.
|
|
2008
|
Change/Cambio at G.A.S.P. (Gallery, Artists,
Studio, Projects) gallery, Boston, MA.
|
|
2008
|
Zam Zam Arts; Figurine. Exploring the Muslim
Woman’s Experience. Touchstone Gallery, Washington
DC.
|
|
2008
|
Picturing Mary. Orleans Street Gallery,
St. Charles, IL.
|
|
2008
|
Making Home. Current Gallery, Baltimore,
MD.
|
|
2007-ongoing
|
“Tenuous Transport,” in Luis Camnitzer’s
collaboration, Last Book.
|
|
2007
|
Trauma Queen. Mediterranean Hotel, Athens,
Greece.
|
|
2007
|
Emergence. Hadieh Shafie, curator. Current
Gallery, Baltimore, MD.
|
|
2007
|
Access: A Feminist Perspective. Rhonda Schaller
Gallery. New York, NY.
|
|
2006
|
Self-Portraits: A Show For Peace. Traveling
Exhibition. Offizyna
Art Space & Swinoujscie Art
Museum Szczecin, Poland. Casoria Contemporary Art Museum,
Naples, Italy. MAC - Museo
Arte
Contemporaneo, Santa Fe, Argentina. MACRO - Museo
Arte Contemporaneo Rosario, Rosario, Argentina. http://self.engad.org
|
|
2005
|
Sharjah Art Museum, Sharjah, United Arab
Emirates
|
|
2002
|
University of California, Los Angeles, CA.
|
|
2002
|
New Arts Program, Kutztown, PA.
|
|
2001
|
New Arts Program, Kutztown, PA.
|
|
2000
|
Disney Coronado Springs Resort, Orlando,
FL.
|
|
2000
|
Campus Center Gallery, Hilo, HI.
|
|
2000
|
Greenwich Arts Council, Greenwich, CT.
|
|
1999-2000
|
Cork Gallery at Lincoln Center, New York,
NY.
|
|
1999
|
Adelphi-Soho Center, New York, NY.
|
|
1998
|
Agora Gallery, New York, NY.
|
International Group Exhibitions
|
2011
|
Affordable Art Fair, NY, NY.
|
|
2010
|
Between the Lines, Soho20 Chelsea, NY, NY.
|
|
2010
|
Dialogue Beyond Reality, curated by Nahid Hagigat, Zoraspace,
NY, NY.
|
|
2008
|
It’s Not Easy. Exit Underground. Exit
Art, New York, NY.
|
|
2007
|
James Cohan Gallery, Postcards from the
Edge, New York, NY.
|
|
2006
|
Art Is Me; Art Is You, Public Art Project.
Walking Exhibition. New York, NY.
|
|
2006
|
Cultural Lenses, Greater Reston Arts Center,
Reston, VA.
|
|
2005
|
College of Fine Arts 40th annual art faculty
exhibition, Harn Museum of Art, FL.
|
|
2004
|
Art Basel, College of Fine Arts 39th annual
art faculty exhibition, Miami, FL.
|
|
2003
|
College of Fine Arts, University of Florida,
38th annual art faculty exhibition, Gainesville, FL.
|
|
2002
|
The Print Center, Philadelphia, PA.
|
|
2001
|
The Stage Gallery, Merrick, NY.
|
|
2001
|
College of Fine Arts, University of Florida
36th annual art faculty exhibition, FL.
|
|
2000
|
Texas Artists Museum, Port Arthur, TX.
|
|
1998-2000
|
Macy Gallery, New York, NY.
|
|
1999-2000
|
University Art Gallery, Jonesboro, AR.
|
|
1998
|
City Island Arts Organization, Bronx, NY.
|
|
1998
|
Harrisburg Art Association, Harrisburg,
PA.
|
|
1998
|
Ridgefield Guild of Artists, Ridgefield,
CT.
|
|
1998
|
Arts Council of Southeast Missouri, Cape
Girardeau, MO.
|
|
1998
|
Springfield Art Association, Springfield,
MA.
|
|
1998
|
Barret House Gallery, Poughkeepsie, NY.
|
|
1998
|
Maryland Federation of Art, Annapolis, MD.
|
|
1998
|
Erector Square Gallery, New Haven, CT.
|
|
1998, 2000
|
Lafayette Art Association, LA.
|
|
1998
|
Philadelphia Art Alliance, PA.
|
|
1998
|
Art Forms Gallery, Philadelphia, PA.
|
|
1998
|
Lafayette Art Association, Lafayette, LA.
|
|
1997-98
|
Chuck Levitan Gallery, New York, NY.
|
|
1997
|
Cincinnati Art Club, Cincinnati, OH.
|
|
1997
|
Fitton Center for the Creative Arts, Hamilton,
OH
|
|
1997
|
York Art Association, York, PA.
|
Invited Lectures
|
2010
|
Shahrzad’s Sisters: Storytelling as
a Strategy for Survival. Huntington Arts Council, NY.
|
|
2010
|
From Mecca to Manhattan: Shahrzad’s
Sisters.
|
|
2010
|
Muslim American Woman’s Voices with
Robina Niaz, Soho20 Chelsea, NY, NY.
|
|
2010
|
“Visual Self-Narration” University
of Florida, College of Fine Arts, Gainesville, FL.
|
|
2005
|
“The Autobiographical Art of Shirin
Neshat, Ghazel and Navab.” New York University, Steinhardt
School of Education.
|
|
2005
|
Super East-West Woman” Harn Museum
of Art, FL.
|
|
2004
|
“Between the Lines of Self and Other.”
Virginia Commonwealth School of the Arts, Richmond, VA.
|
|
2004
|
“Iranian Diasporic Art.” The School
of the Museum of Fine Arts. Boston, MA.
|
|
2004
|
“Photographic Autobiographies: Three
Artists from Iran.” Ohio University College of Fine
Arts. Athens, OH.
|
|
2004
|
“Unsaying Life Stories.” Palmer
Museum of Art, State College, PA.
|
|
2003
|
Navab Retrospective. Vero Beach Museum of
Art, Vero Beach, FL.
|
|
2003
|
“Re-Picturing Photography: A Critique
of the Violent Terminology Framing the Culture of Still
Photography.” In conjunction with the Culture
of Violence exhibition, The Harn Museum of Fine Arts,
Gainesville, FL.
|
|
2003
|
I Am Not A Persian Miniature: The Art of
Hybrid Iranian Women,” in the international symposium
held at the University of Florida--Beyond/After the
Screen: The Impact of Documenta X and XI on Contemporary
Film and Video Practice, Gainesville, FL.
|
|
2002
|
“Re-picturing Self and History: Photographic
Inquiry.” Re-Searching the Art of Inquiry. Teachers
College, Columbia University, NY, NY.
|
|
2002
|
“Tales Worth Retelling.” Bicultural
Ways of Knowing: Iranian American Narratives. Teachers
College, Columbia University, NY, NY
|
|
2002
|
“Photography and Autobiography.” The School
of The Art Institute of Chicago.
|
|
2002
|
“Iran, Islam and Women.” American Association
of University Women. University of Florida, Gainesville,
FL.
|
|
1999
|
“Tales Left Untold.” The Rose and the Nightingale:
Persian Civilization, Art and Philosophy. Teachers College,
Columbia University, NY, NY
|
|
1998
|
Portraits of Uzbekistan.” The Indo-Mongolian Society.
New York University, NY,
NY
|
Media Interviews
|
2010-present
|
See AGAPW in the press: http://agapw.org/site/press
|
|
2009
|
Television interview regarding She Speaks
Greek Farsi exhibition in Athens, Greece.
|
|
2009
|
Good Morning Athens. Radio interview regarding
She Speaks Greek Farsi exhibition in Athens, Greece.
|
|
2005
|
Interview regarding Super East-West Woman
series aired on CKUT public radio (Nov. 2, 6-7 pm) Montréal,
Canada.
|
Readings
|
2010
|
FIT: Fashion Institute of Technology
|
|
2010
|
Columbia University
|
|
2010
|
New Day: Iranian and Afghan American Voices,
Fashion Institute of Technology, (FIT), NY, NY.
|
|
2010
|
New Day: Iranian and Afghan American Voices
Association of Iranian American Writers, & Association
of Asian American Writers Workshop (AAWW). Readings at
AAWW, NY, NY.
|
|
2010
|
Poetry reading, Assoication of Greek American Professional
Women (AGAPW), NY, NY.
|
|
2010
|
Poetry reading at Bowery Poetry Club, NY.
|
|
2010
|
Poetry reading, AGAPW, NY, NY.
|
|
2008
|
Iranian American Writers: The Next Generation. Khakpour,
Navab, Nasrabadi, & Sedarat.
Co-Sponsored by Arte East, Association of Iranian American
Writers, & Association
of Asian American Writers Workshop (AAWW). Readings at
AAWW, NYC.
|
|
2008
|
“Tales Left Untold,” Persian Arts Festival,
Bowery Poetry Club, NYC.
|
|
2007
|
“Tales Left Untold,” in Let
Me Tell You Where I've Been: New Writing by Women of the
Iranian Diaspora (2006), edited by Persis Karim, Parisa
Milani, Arkansas: University of Arkansas Press. New York
University.
|
|
2006
|
“What is Home After Exile? An Iranian
Greek American Homecoming,” In Homelands; Women’s
Journeys Across Race, Place and Time. (Jan. 2007),
edited by Jenesha de Rivera, Patricia Justine Tumang,
Seal Press. At the interdisciplinary conference called
"Envisioning Home," sponsored by the Ph.D. Program
in Comparative Literature at the Graduate Center of CUNY,
NYC.
|
|
2006
|
“Tales Left Untold,” in Let
Me Tell You Where I've Been: New Writing by Women of the
Iranian Diaspora (2006), edited by Persis Karim, Parisa
Milani, Arkansas: University of Arkansas Press. Sponsored
by Arte East. Labyrinth Books, NYC.
|
Refereed Conference Paper Presentations
|
2005
|
“The Transnational Art of Neshat, Ghazel
and Navab,” Muslims' Experiences of Globalization
conference Atlanta, GA. Sponsored by the Middle East Center
for Peace, Culture and Development at Georgia State University
and the Georgia Middle East Studies Consortium.
|
|
2005
|
“Discursive Autobiographies: The Telling-Self,”
College Art Association annual conference, Atlanta, GA,
16-19 February.
|
|
2004
|
“Reclamer la Voix Autobiographique:
L’Art de Trois Photographes Iraniennes,” L’Islam
et L’Occident: Le Mythe de L’Autre, Université
Laval, Québec, Canada, 16-18 November.
|
|
2004
|
“Unsaying Life Stories: The Autobiographical
Art of Four Iranians,” National Art Education Association
annual conference, Denver, CO.
|
|
2003
|
“I Am Not A Persian: Iranian Women Artists,”
Society for Photographic Education annual conference,
Austin, TX.
|
|
2003
|
“I Am Not A Persian Miniature: The Art of Iranian
Women in Exile,” College Art Association annual conference,
New York, NY.
|
|
2002
|
“To Be Or Not To Be An Orientalist?: The Ambivalent
Art of Antoin Sevruguin,” National Art Education
Association annual conference, Miami Beach, FL.
|
|
2002
|
“Longing to Belong: The photography of Antoin Sevruguin,”
4th Biennial Conference on Iranian Studies, Bethesda,
MD.
|
|
2001
|
“Photography: A Language in the Making,” National
Art Education Association annual conference, New
York, NY.
|
Awards
|
2005
|
Empire Who’s Who Among Executive and
Professional Women Educators.
|
|
2004
|
Who’s Who: America’s Best Teachers.
|
|
2003-2004
|
Academic year Merit Scholarship, Teachers
College, Columbia University.
|
|
2002-2003
|
Academic year Merit Scholarship, Teachers
College, Columbia University.
|
|
1999-2000
|
1999.2000 Academic year Merit Scholarship, Teachers College,
Columbia University.
|
|
1999
|
Purchase Award, College of Fine Arts, Arkansas State
University, Jonesboro, AR.
|
|
1999
|
Summer term Merit Scholarship, Teachers College, Columbia
University.
|
|
1998
|
Juror’s Merit Award, Self-Portrait juried exhibition,
Macy Gallery, New York.
|
|
1998
|
Juror’s Merit Award, City Island Arts Organization
national juried exhibition.
|
|
1998
|
Award of Excellence, Manhattan Arts International 7th
annual competition.
|
|
1997
|
First Prize, photography category, York (PA) Art Association
27th annual national juried competition.
|
|
1993
|
David McCord Prize for Outstanding Visual Artist, Harvard
University.
|
Service
|
2013
|
Chair and moderator of panel of artists
in the exhibition: Women Redrawing the World Stage,
including artists: Mona Hatoum, Chitra Ganesh, Milcah
Bassel, Dahlia Elsayed, Farah Ossouli, Armita Raafat,
Samira Abbassy, Zeina Barakeh, Nezaket Ekici
http://soho20gallery.com/wp-content/uploads/2011/07/Press-Release-WRWS.pdf
|
|
2010-present
|
Committee of Twenty: Network 20/20.
http://network2020.org/committee-of-twenty/
|
|
2010-present
|
Vice President: AGAPW, Association of Greek
American Professional Women.
http://agapw.org/site/about
|
|
2009-present
|
Board of Directors: AGAPW, Association of
Greek American Professional Women.
|
|
2013
|
Vice Chair of the Harvard College 20th year
Alumni Reunion
|
|
2005-2009
|
Editorial review board, Journal of Visual
Culture and Gender.
|
|
2009-2013
|
Interviewer for Harvard College undergraduate
admissions.
|
|
2008
|
Alumni Gift Committee for The Dalton School
20th year Reunion.
|
|
2007
|
Vice Chair of the Harvard College 15th year
Alumni Reunion.
|
|
2008-2010
|
Co-chair Diversity Committee, Middle School,
The Dalton School
|
|
2007-2010
|
Diversity Task Force, The Dalton School.
|
|
2007-2010
|
Minority Mentor, High School, The Dalton
School.
|
|
2007, 2008
|
Panelist, Graduate Research in Art Education Conference,
Penn State & Teachers College.
|
|
2004
|
School of Art and Art History Digital Media Task Force.
|
|
2004
|
College of Fine Arts Committee for the Revision of UF’s
2002 Strategic Plan.
|
|
2004-2005
|
University Galleries Advisory Committee.
|
|
2003-2004
|
Area Coordinator: Photography, College of Fine Arts,
University of Florida.
|
|
2000-present
|
Graduate Faculty Supervisor of graduate students in their
teaching.
|
|
2003
|
“Critically Analyzing Photographs.” Talk for
docents. March 3. Harn Museum of Art.
|
|
2002-present
|
Faculty advisor, University of Florida Undergraduate
Photographic Society.
|
|
2001.2002
|
Minority mentor, University of Florida.
|
Published Photographs
|
• Cover Photograph. Love and Pomegranate:
New Voices Celebrating Iran, edited by Meghan
Sayres (2013).
• Feature article by Haimelin, Lauren (2011). “Special
Report: Super East-West Woman: Forty Pillars Solo
Show by Aphrodite Navab,” in Luxe Immo: Contemporary
Art, pp 47-49.
• Feature article by Fourneaux, Marie-Emilie (2011).
“Arts & Design: Aphrodite Désirée
Navab” in Luxe
Immo: Contemporary Art, pp. 62-66.
• Women, Windows, and the Word: Diverging Perspectives
on Islamic Art (2011).
Lowe Art museum. pp 4-5.
• Heath, Jennifer (2011). The Veil: Visible and
Invisible Spaces, pp 42-43.
• Pinos, Dina (2010). “Aphrodite Désirée
Navab” in Neo Magazine. May.
• Kostopoulos, Eleni (2010). “In the Spotlight:
Aphrodite Navab,” in The National Herald.
April 3-9.
• Soho20 Chelsea Catalog, NY, NY. 2012, pp 50-51.
• Soho20 Chelsea Catalog, NY, NY. 2010, pp 34-35.
• Koroxenides, Alexandra (2009). “Finding a
Language and a Home in the Medium of Photography,”
in the global edition of the New York Times: The International
Herald Tribune. September 25, p. 27.
• Exhibition Catalog. Solo Show. She Speaks Greek
Farsi. ICC Athens, Greece. 2009.
• Exhibition Catalog. Through the Lens: Photography
from the Permanent Collection, Lowe Art Museum, University
of Miami. Denise M. Gerson, curator. 2009.
• Cover Photograph. Featured portfolio. Washington
Square Review. Winter 2007-8.
• Schaller, Rhonda (2007), Super East-West Woman:
Living on the Axis, Fighting Evil Everywhere. Blue
Pearl Press. Exhibition Catalog. Solo show.
• Cover photograph. Exhibition Catalog. Access:
A Feminist Perspective. Rhonda Schaller Gallery. New
York, NY. 2007.
• Fagan, Robert Jason and Hadieh Shafie (2007). Emergence.
• Cover photograph (2005), Environmentalism in
the Muslim World. Richard C. Foltz (Ed.). New York:
Nova Science Publishers.
• Cover photograph (forthcoming), L’Islam
et L’Occident: Le Mythe de L’Autre. Quebec:
Laval University Press.
• Graeme Sullivan (2005), Art Practice as Research,
London: Sage Publications, pp. 56-57.
• Yvonne Gaudelius and Peg Speirs, eds., Contemporary
Issues in Art Education, Upper Saddle River, NJ: Prentice
Hall, 2002, pp. 30, 33, 34.
• Aphrodite Désirée Navab, “Re-picturing
Photography: A Language in the Making,” Journal
of Aesthetic Education 35/1 (2001), p. 70.
• Middle East Studies Association annual conference
catalog, November 2000.
• Richard C. Foltz, Religions of the Silk Road,
New York: St. Martin’s Press, 1999.
• Connections, The Dalton School, Spring 1999.
• “Portraits of Uzbekistan: A Photo Essay,”
Communiqué 4/5, November 4, 1998.
• Photo Metro magazine, winter 1997-98 issue.
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Permanent Collections
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Lowe Art Museum, Miami, FL.
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Casoria Contemporary Art Museum, Naples, Italy.
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Simone de Beauvoir Institute of Women’s Studies,
Concordia University, Montreal, Canada.
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Harn Museum of Fine Arts, Gainesville, FL.
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Bernice Steinbaum Gallery, Miami, FL.
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Museum of Fine Arts, Arkansas State University, Jonesboro,
AR.
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Harriman Institute, Columbia University, New York, NY.
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Private Collections
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Shirin Neshat
Reza Aslan
Edwin and Jocelyne Stern
Vincent and Anne Mai
Hooman Majd
Murat Koprulu
Marta de Radzyminski
Marta Bergamaschi
Maggie Pepper
Aurelie Athan and Jason Keramidis
Karlheinz Pichler
Rhonda Schaller
Robert Coles
Bernice Steinbaum
Ghazel
John Kenneth Galbraith
Maxine Greene
Olga Davidson
Judith Burton
Sussan Babaie
Graeme Sullivan
Barbara Jo Revelle
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Publications About My Art
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Joyce, Erin (2011). “Here She is to
Save the Day: Artist Aphrodite Désirée Navab’s
Photographic Narrative,” in Aslan Media. www.aslanmedia.com/artsculture/mideast-art/74-here-she-is-to-savethe-day-artist-aphrodite-desiree-navabs-photographic-narrative
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Haimelin, Lauren (2011). “Special Report:
Super East-West Woman: Forty Pillars Solo Show by Aphrodite
Navab,” in Luxe Immo: Contemporary Art, pp
47-49.
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Navab, Aphrodite (2011). De-Orientalizing
Iran: The Art of Sevruguin, Neshat, Navab, and Ghazel.
Lampert Academic Publishing, pp 133-164.
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Fourneaux, Marie-Emilie (2011). “Arts
& Design: Aphrodite Désirée Navab”
in Luxe Immo: Contemporary Art, pp. 62-66
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Heath, Jennifer (2011). The Veil: Visible
and Invisible Spaces, pp 42-43.
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Pinos, Dina (2010). “Aphrodite Désirée
Navab” in Neo Magazine. May.
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Kostopoulos, Eleni (2010). “In the
Spotlight: Aphrodite Navab,” in The National Herald.
April 3-9.
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Women, Windows, and the Word: Diverging
Perspectives on Islamic Art (2011). Lowe Art museum.
pp 4-5.
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Soho20 Chelsea Catalog (2010), pp. 34-35.
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Koroxenides, Alexandra (2009). “Finding
a Language and a Home in the Medium of Photography,”
in the global edition of the New York Times: The International
Herald Tribune. September 25, p. 27.
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Through the Lens: Photography from the
Permanent Collection (2009). Lowe Art Museum, University
of Miami. Denise M. Gerson, curator. Exhibition catalogue.
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She Speaks Greek Farsi (2009). ICC
Athens. Solo exhibition catalogue.
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Schaller, Rhonda (2007). Super East-West
Woman: Living on the Axis, Fighting Evil Everywhere.
Blue Pearl Press. Solo Exhibition Catalogue.
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Fagan, Robert Jason and Hadieh Shafie (2007).
Emergence.
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Sullivan, Graeme
(2005), Art Practice as Research, London: Sage
Publications, pp. 56-57.
(2002). “Ideas and Teaching: Making Meaning from
Contemporary Art,” in Yvonne Gaudelius and Peg Speirs,
eds. Contemporary Issues in Art Education. NJ:
Prentice Hall, 23-37.
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Pooja Shah (2004), “Art Pushes Stereotypes
Aside,” Temple News (Philadelphia), March
4.
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“How is it Shadows I Knew You Not,”
Columbia Record (New York), September 11, 1998.
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Professional Organizations
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Network 20/20, AGAPW: Association of Greek
American Professional Women, CAA: College Art Association,
SPE: Society for Photographic Education.
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